"As independent publisher, it has been challenging to approach public institutional spaces, as not all accept direct donations, and the process can be time-consuming when done individually. The A.R.T. Library Program complements this effort perfectly, which is why we are eager to collaborate with them."

"Many schools have seen cuts to art, music, theater, and dance programs, and many are closing their libraries as well. All students need access to the arts to foster creativity and engagement."

"We appreciate the extended reach that A.R.T. provides, ensuring that our books aren’t just sitting in storage, going unread."

"We are a remote and rural location without access to art museums. The books that A.R.T. Library Program freely provided are crucial for our art educational programs."

"A primary function of a book is the possibility for continuation. Books distribute with a wider ranging reach and have an enduring material life."

"The classroom, like Tiravanija’s work, can create the conditions for individuals to join a collective, observe the social tensions within the collective, and then reflect critically on that experience."

"A.R.T. Library Program helps us get KSMoCA books into the hands of people outside our Portland, Oregon region."

"It’s important for Haynes Branch Library to make art books freely available to our community because art books tend to be expensive and we are located in the low-income part of the county."

"It is great to have a community partner who is connected to many spaces—it helps us grow our audience and find homes for books that we think make vital contributions to organizing work and political education. Having the A.R.T. Library Program to distribute our books expands our outreach and helps us build bridges to new readers."

"The books provided by A.R.T.'s Library Program are beyond what we could afford or access on our own. They offer a window into an art world that is unfamiliar to most of our rural community."

"INCA Press hopes to reach wide, diverse, and unexpected reading audiences, and as such, is very honored to support the A.R.T. Library Program."

"A.R.T. offers books that I myself wouldn't have considered purchasing because I hadn't heard of the artist until discovering it on its catalog. They are also books that many of the libraries in my state do not own, so I am providing materials to the entire state of Minnesota that the public did not previously have access to."

"The A.R.T. Library Program is a great opportunity for us to reach a broader audience, introducing them not only to the artists and ideas in our publications, but also to the Wattis itself."

"We get letters all the time about how the art books we send out are so very valued and help humanize such a crushingly brutal institutional existence... the A.R.T. Library Program is a godsend..."

"The A.R.T. Library Program allows a way to get books into permanent holdings that provide long term, stable, and free access to them."

"Like the studio, the library is a place where ideas brew, a place of learning where imagination prevails. The endless possibilities of ideas held in books, available for anyone to have, are a gift."

"The A.R.T. Library Program provided a much needed alternative platform to share socially and politically engaged ideas in the spaces that tend to be the most regulated."

"Big school districts like ours have very specific vendor protocols, so these are not books we would be able to purchase easily on our own."

"The books offered by A.R.T. expand the spectrum in which literacy might be defined, allowing individuals from our community to immerse themselves in a range of information, from purely visual to entirely literary. A.R.T.’s catalog reflects the diverse relationships our artists have with literacy in its various forms."

"We consider A.R.T. to be a central part of how we think about our distribution. It's one of the key components that's built into how each title gets put into the world instead of a charitable afterthought."

"The space of reading extends. We have young people who bring their children into our space. Having books for them to read to their children is beautiful. I have been teaching many brilliant artists, but I can't give them all the resources I want... It’s amazing collaborating with A.R.T. on helping our young people begin to receive the artistic resources they need and deserve."

"How to perform a truth about traumatic and contested events such as those that go under the name of Lebanese Civil Wars? How to reconstruct a truth which has broken down into many fragmentary and contradictory splinters of archival evidence? ... Through performance and storytelling, Raad reveals how truth is neither definitive nor incontestable. He urges us to rethink what we understand as “the truth” and to reclaim the many other truths we might have neglected in its place."

For over 25 years, Hunter Reynolds explored issues of gender, sexuality, HIV/AIDS, politics, mortality, and rebirth through performance, photography, installations, and his alter ego, Patina du Prey. Reynolds collaborated extensively with photographer and bookmaker Maxine Henryson, who documented Reynods' guerrilla-like street performances and interventions in Berlin, Antwerp, Los Angeles, New York. These collaborations are now documented in a new artist book I-DEA, The Goddess Within, available through the A.R.T. Library Program. Here Henryson shares her reflections on Reynolds, as Patina, in the process of their collaborations.

"We started way back in 1973, and at that point it was just our group in Seattle and a group in Quincy, Massachusetts. Now there are about three to four dozen prison book programs across the country all working with the same mission. Books to Prisoners, Seattle is proud to be one of the oldest and largest of those... We're hoping to build all of these organizations into an actual working alliance."

"Literacy from the vantage of art prioritizes writing over reading, and artistic production as a process of creating forms over the appreciation of artworks. If we are good at fostering literacy from this point of view, we will prompt readers to shift from being consumers to authors. Books, like works of art, should be meeting places where power is not displayed but redistributed."

"... I found as I wrote, and this is something I think everyone who writes a memoir or autobiography knows; the more you write, the more you remember. Somehow just the actual process of writing a memory down evokes other memories. Like Proust’s madeleine... And then when I finished the book, I thought, 'Okay, you have done something for him. You started out doing it for yourself and it maybe ends up being for him'."

"It's uncomfortable to step into areas where you are not familiar and incarcerated people are forced to do that in every aspect of their lives, including reading. As people on the outside, we're never going to have the same stressors or reasons for reading as people who are incarcerated. And we should all be very grateful for that. But I think we can be inspired to expand our interests, and perhaps question our confidence in different contexts. Incarcerated people have to do that every single day."

"This evolving lending library combines the legacy concept of bookshelf-as-architecture with the present-day architecture of digitality, connecting authors, artists, designers and readers through the polyphonic protocols of library science. The system will grow to help support a public digital metacommons that scaffolds new social formations."

"Most people encounter a Felix Gonzalez-Torres work in a museum, and it can be a revelatory encounter. But not everyone goes to a museum, and there are certain kinds of experiences that are difficult to have in that space... Books can do something different: they give you time and the ability to return, again and again."